> conference 1999

21ST BIENNIAL CONFERENCE OF ICKL


July 25-30, 1999
Institut del Teatre, Diputació de Barcelona, Spain.
http://www.diba.es/iteatre/

Under the patronage of UNESCO
Under the auspices of Mr. Daniel Tarschys,
Secretary General of the Council of Europe

On site organizer: Agustí Ros and Institut del Teatre.

> Site of the 1999 conference



> proceedings 1999

The proceedings of the 21st biennial conference are available as a printed publication (see publications).
Sections or papers marked with
can be downloaded on-line, in PDF format.

CONTENT

Opening Addresses
Agustí Ros, On-site Organizer
Pau Monterde, Director of the Institut del Teatre
Muriel Topaz, Chair of ICKL
Ann Hutchinson Guest, President of ICKL
Conference Program
Conference organization
Schedule
List of Participants
Technical Report
The Technical Research Papers
Report from the On-site Research Panel Chair
Summary of Voting on Technical Items
Technical Report
Appendixes
Appendix A: Principal “KIN” Usages and Rules differing from “LAB” Usages and Rules, by Jacqueline Challet-Haas
Appendix B: A Fundamental Difference Between Kinetography Laban and Labanotation, by Ilene Fox
Appendix C: Degrees of folding the Torso, by Ann Hutchinson Guest
Presentations and Workshops
The Dance Notation System, "Labanotation", as a Method of Analyzing Asian Dances - The Case Study of Balinese Traditional Dance, by Minako Nakamura
Dance Notation Systems in South Korea: an Overview (abstract), by Judy Van Zile
Japanese Traditional Dance and Dance Notation ; Focusing on Bugaku, by Harumi Kimura and Reiko Morita
Characteristics of the "Koneri-Te" Hand Technique within the Movement Structure of Okinawan Classical, by Nagako Hateruma
A Study on the Naturalism and Ecstasy of Korean Dance – Characteristics of Movement Found in Korean Crane Dances, by Shin, Sang Mi
Notating Susan Van Pelt’s Warmup Sequence with Yoga: Recording the Dancer’s Outer Shape and Inner Movement, by Sheila Marion
Reconstruction / Recreation: Reflections – Practice and Esteem of Repertoire, by Karin Hermes-Sunke
Erica Milee, 1908-1996, One Step Further, by Stephanie E Ray
Laban, Leeder Memory of Movement, by Teresa Monsegur de la Torre
Malkovsky’s Danse Libre – Basic Movements and Choreographies, by Suzanne Bodak and Karin Hermes-Sunke
Short Report about what Happened in Notation in Germany, Austria, and Switzerland in the Last Four Years, by Thomas Schallmann
The Effect of Cognitive Factors to Human Movement, by János Fügedi
Labanotation as an Educational Tool for Creative Dance Class, by Billie Lepczyk
Motif Notation Session, Ann Kipling Brown organizer
The Development of Motif Writing, by Ann Hutchinson Guest
The Work of the Language of Dance Centre, UK, by Valerie Farrant
Motif Description as a Tool for the Teaching of Composition and Labanotation, by Patty Harrington Delaney
Language of Dance in USA, by Tina Curran
Notation at the Ohio State University, by Odette Blum
Motif Notation Summer Workshop, by Lucy Venable
Motif Notation in Post-Secondary Experiences, by Ann Kipling Brown
Motif Notation at the University of Regina, Canada, by Ann Kipling Brown
Practical Session
Reading Session: Chinese Dances, by Dai AiLian
Workshop: Notating 'En el cortijo', choreography by José Greco, by Billie Mahoney
Workshop: The Bolero School of the Pericet Family, by Anna Karin Ståhle-Varney
Notationware – It’s All in the Cards, by Georgette Weisz Amowitz-Gorchoff
LabanReader, by Sheila Marion and A. William Smith
New Features in LabanWriter 4.0., by Lucy Venable
From Dance Notation To Animation and Back, by Ilene Fox
Motion Capture : Re-Collecting the Dance, by Lisa Naugle
Biographies of the Authors
ICKL Organization
Business Meetings
Statements of Revenues and Expenditures
Budget for 1999-2001
1998-1999 Membership List


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