 |
Home
Information
Registration
Sessions
Schedule
Participants
Contacts
|
TENTATIVE SCHEDULE (July 11st, 2005)
Subject to change.
FRIDAY, JULY 29
15:30-17:15
|
FOR
BOARD MEMBERS ONLY
Executive Meeting #1/2
|
| |
|
17:30-19:30
18:30-20:30 |
Registration
table
Opening reception
|
SATURDAY, JULY 30
| 9:00-10:00 |
Opening
session
Rudolf Laban’s
Notation Workbook: an historical survey of dance script methods from
Choreographie (1926).
Paper. Jeffrey Scott Longstaff, UK.
|
| |
break |
| 10:15-11:15 |
Relationship
between Movement and Personality.
Paper (Laban analysis). Dianne Dulicai, USA.
The Role of Notation on Body Construction.
Paper (Notation/LMA). Angela Loureiro de Souza, Brazil/France, and
Jacqueline Challet-Haas, France.
|
|
break |
| 11:45-12:45 |
A
Meeting of Minds: Adapting Laban’s movement themes to dance writing
projects.
Paper (Laban concepts for educational dance). Candace Feck, USA.
Falling, Releasing and Post-Judson Dance.
Paper (LMA). Melanie Bales, USA
|
| |
lunch |
| 14:00-15:00 |
The
Labanotation Score of Trio A by Yvonne Rainer.
Workshop : Reading Session and presentation (Notation). Joukje Kolff
and Melanie Clarke, UK.
|
| |
break |
| 15:15-16:45 |
Observing
and experiencing stillness in dance choreography.
Paper and Workshop (Motif Notation). Oona Haaranen, Finland/USA.
(1st time) |
or
15:15-17:15 |
Kinetography Laban/Labanotation Technical Session #1/5 |
| |
|
17:45-19:00
|
FOR
FELLOWS ONLY
Fellows Meeting #1/2
|
| |
|
| 19:30 |
Performance
at LABAN - Bonnie Bird Theatre
From Labanotation to performance – Past, Present and Future |
SUNDAY, JULY 31
| 9:00-10:00 |
Salome–
A written Choreography.
Paper (Notation). Rose Breuss, Austria.
Method of Giving Quality to Improvisation - The Notation of Love,
a Work by Loïc Touzé and Latifa Laâbissi.
Paper (Notation). Jean-Marc Piquemal, France.
|
| |
break |
| 10:15-11:15 |
Communicating
Intention in notating release-based technique.
Paper (Notation). Melanie Clarke, UK.
Cognitive Processes in Reading Labanotation: Do skilled readers
automatically transform notation into representations of body posture?
Paper (Notation). Corinne Jola, Switzerland, and Patrick Haggard,
UK.
|
|
break |
| 11:45-12:45 |
“The
Theorized Body” and “the Experienced Body” in Dance
Research: Exploration through the lens of Patterns of Total Body Connectivity.
Paper (LMA). Mary Hayne, USA.
LMA as a Tool for Developing Audio Description. Making the Arts
Accessible to People Who are Blind
Paper (LMA). Esther Geiger, USA.
|
or
11:45-12:45 |
Observing and experiencing stillness in dance choreography.
Paper and Workshop (Motif Notation). Oona Haaranen, Finland/USA.
(2nd time) |
| |
lunch |
| 14:00-15:00 |
Reflection
: Anna Sokolow’s Steps of Silence.
Paper (Documentation/Notation). Valarie Mockabee and Rachel Boggia,
USA. TO CONFIRM
Bob Fosse’e Choreographic Screen Debut: 48 seconds that set
a course.
Paper (LMA). Pat and Kathie Debenhaam, USA.
|
| |
break |
| 15:15-16:45 |
Movement
Training and Performance Enhancement Utilizing Laban Movement Analysis
and Bartenieff Fundamentals.
Workshop (LMA). Bala Sarasvati, USA. |
or
15:15-17:15 |
Kinetography Laban/Labanotation Technical Session #2/5 |
| |
break |
| 17:45-19:15 |
General
Meeting #1/2 |
MONDAY, AUGUST 1
| 9:00-10:00 |
About
Malkovsky’s Free Dance and its Transmission.
Paper (Documentation/Notation). Suzanne Bodak, France.
Movement Analysis of The Green Table.
Paper (Choreutics/Eukinetics). Makiko Takano, Japan.
|
| |
break |
| 10:15-11:15 |
The
Possibility of Using 3D Computer Animation as a Complimentary Tool
to Dance Documentation.
Paper. Johan Stjernholm, UK.
Laban Motif of Algorithms for Automatic Generation of Dance Sequences
in "Web3D Dance Composer".
Paper. Bin Umino, Japan, Jeffrey Scott Longstaff, UK, Asako Soga,
Japan.
|
or
10:15-11:15 |
Gertrud
Bodenwieser’s The Demon Machine.
Workshop: Reading Session and presentation (Notation). Karen Mozingo,
USA.
|
|
break |
| 11:45-12:45 |
The
Representation of Movement in Notation Systems and its Transformation
in Digital Processing.
Paper. Henner Drewes, Germany.
Computer Interpretation of Labanotation within Graphical Dance
Notation Scores.
Paper. Matthew Gough, UK.
|
|
lunch |
| 14:00-15:00 |
Choreocinema.
Paper (LMA). André Austvoll, Norway.
Notation on Film, Notation for Film.
Paper (Notation). Janos Fugedi, Hungary.
|
| |
break |
| 15:15-16:15 |
Exploring
the Use of Laban with Orphans in Uganda, Africa.
Paper (LMA). Begoña Caparros, Spain/USA.
Laban Movement Analysis in the Area of Cultural Studies. Teaching
& adapting folk dance for seniors with various chronic conditions.
Paper (LMA). Barbara Kennedy, Canada.
|
or
15:15-17:15 |
Kinetography Laban/Labanotation Technical Session #3/5 |
| |
|
17:45-18:45
|
FOR
BOARD MEMBERS ONLY
Executive Meeting #2/2
|
TUESDAY, AUGUST 2
| 9:00-10:00 |
Using
LabanLab in the Classroom.
Paper (Notation). Sheila Marion and Rachel Boggia, USA.
Mapping Motif.
Report (Motif Notation). Ilene Fox and Tina Curran, USA.
|
| |
break |
| 10:15-11:15 |
Teaching
Methodologies: Utilizing reading literacy strategies to cultivate
dance literacy.
Workshop (Motif Notation). Tina Curran, USA.
|
or
10:15-11:15 |
Three
Folk Dances from Romania.
Workshop : Reading Session (Notation). Andrea Treu-Kaulbarsch, Germany.
|
|
break |
| 11:45-12:45 |
Analysis
of Movement and Kinetography Laban for Students in Ethnomusicology.
Paper (Notation). Elena Bertuzzi, Italy/France
Applying Labanotation on Greek Folk Dance: the case of the dances
of the Greek Ionian island of Lefkada.
Paper (Notation). Maria I. Koutsouba, Greece.
|
|
lunch |
| 14:00-15:00 |
Choreological
Study of Japanese Old Ritual Dance by "Your Move" Notation
System; a study on Miko-Mai in Kotohira Shrine from the point of view
of dance idiom.
Paper (Motif Notation). Harumi Kimura and Reiko Morita, Japan.
The essence of Thai Male Classical Dance.
Paper (LMA/Notation). Chommanad Kijkhun, Thailand.
|
| |
break |
| 15:15-16:45 |
Revisiting
Ancient Tradition: Laban Movement Analysis and Bartenieff Principles
as Applied to the Practice of Indian Classical Dance.
Paper and Workshop (LMA). Ciane Fernandes, Brazil/Germany,
and Rajyashree Ramesh, India/Germany.
|
or
15:15-17:15 |
Kinetography Laban/Labanotation Technical Session #4/5 |
WEDNESDAY, AUGUST 3
| 9:00-10:00 |
The
Silent Wisdom: Teaching LMA for Actors.
Paper (LMA). Gabriela Gonzalez, Argentina/UK
Scale Monologues: illustrating the application of Laban’s
Space/Harmony theories to the acting process.
Paper (Choreutics). Jennifer Mizenko, USA.
|
| |
break |
| 10:15-11:15 |
Laban
Movement Analysis applied to Dramatic Movement.
Paper and Workshop (Notation and LMA). Jorge Gayon, Mexico/France,
and Greta Maes, Belgium/France. TO CONFIRM
|
or
10:15-11:15 |
Labanotation
and Technique: Bridging the Gap to Build Articulate Dancers.
Workshop (Notation). Julie Brodie, USA.
|
|
break |
| 11:45-12:45 |
Visualizing
the A Scale: A visual supplement to teaching Choreutics.
Paper (Choreutics). Leslie Bishko, Canada.
Using the Laban Dancer to Visualize Notation Scores: Beta-testing.
Paper. Ilene Fox, USA, and Rhonda Ryman, Canada.
|
| |
lunch |
| 14:00-15:00 |
Laban-Bartenieff
Movement Analysis as a Tool for Teaching Dance, Performance Skills,
and Wellness to Adolescent Girls.
Paper (LMA). Deborah Hull, USA.
An Overview of a Creative Dance Course through a Multimedia CD-Rom.
Paper (Notation/Motif Notation) Billie Lepczyk, USA.
|
| |
break |
| 15:15-16:45 |
Surviving
Assembly Line Work using Laban Bartenieff Movement Analysis.
Workshop (LMA). Teresa Heiland, USA.
|
or
15:15-17:15 |
Kinetography Laban/Labanotation Technical Session #5/5 |
| |
|
17:45-18:45 |
FOR
FELLOWS ONLY
Fellows Meeting #2/2
|
THURSDAY, AUGUST 4
| 9:00-10:30 |
Kinetography
Laban/Labanotation Technical Session
Conclusion |
or
9:00-10:30 |
Workshop or meeting - TBA
|
| |
break |
| 11:00-12:30 |
General
Meeting #2/2 |
| |
lunch |
| 14:00-14:30 |
Current
issues in archiving and transmitting the dance heritage in the 21st
Century.
Paper. Valerie Preston-Dunlop, UK.
|
| 14:30-17:30 |
Seminar
on Laban Archives
Co-sponsored by the Society for Dance Research, UK, and the European
Association of Dance Historians.
With participants from LABAN, UK; National Resource Centre for Dance,
UK; Learning Resources Centre, Roehampton University, UK; Centre national
de la danse, France; Tanzarchiv Leipzig, Germany; Ohio State University,
USA.
|
|
