24th Biennial Conference of ICKL
  LABAN, London, UK
July 29 (Arrival Day) - August 5 (Departure Day) 2005




Home
Information
Registration
Sessions
Schedule
Participants
Contacts

SESSIONS

Below are listed sessions to be held at the 2005 conference.
List subject to change. Updated by June 26, 2005


On Choreographic Works and Styles

About Malkovsky’s Free Dance and its Transmission.
Paper (Documentation/Notation). Suzanne Bodak, France.
 abstract

Gertrud Bodenwieser’s The Demon Machine.
Workshop: Reading Session and presentation (Notation). Karen Mozingo, USA.
 abstract

Movement Analysis of The Green Table.
Paper (Choreutics/Eukinetics). Makiko Takano, Japan.
 abstract

Reflection : Anna Sokolow’s Steps of Silence.
Paper (Documentation/Notation). Valarie Mockabee and Rachel Boggia, USA.
 abstract

Bob Fosse’e Choreographic Screen Debut: 48 seconds that set a course.
Paper (LMA). Pat and Kathie Debenhaam, USA.
 abstract

Falling, Releasing and Post-Judson Dance.
Paper (LMA). Melanie Bales, USA
 abstract

The Labanotation Score of Trio A by Yvonne Rainer.
Workshop : Reading Session and presentation (Notation). Joukje Kolff and Melanie Clarke, UK.
 abstract

Method of Giving Quality to Improvisation - The Notation of Love, a Work by Loïc Touzé and Latifa Laâbissi.
Paper (Notation). Jean-Marc Piquemal, France.
 abstract

Salome– A written Choreography.
Paper (Notation). Rose Breuss, Austria.
 abstract

Communicating Intention in notating release-based technique.
Paper (Notation). Melanie Clarke, UK.
 abstract

Phrasing as an Indicator of Choreographic Style.
Lecture-Demonstration (Analysis/Notation). Vera Maletic, USA.
 abstract

Observing and experiencing stillness in dance choreography.
Paper and Workshop (Motif Notation). Oona Haaranen, Finland/USA.
 abstract

Asian Ritual and Classical Dance

Choreological Study of Japanese Old Ritual Dance by "Your Move" Notation System; a study on Miko-Mai in Kotohira Shrine from the point of view of dance idiom.
Paper (Motif Notation). Harumi Kimura and Reiko Morita, Japan.
 abstract

The essence of Thai Male Classical Dance.
Paper (LMA/Notation). Chommanad Kijkhun, Thailand.
 abstract

Revisiting Ancient Tradition: Laban Movement Analysis and Bartenieff Principles as Applied to the Practice of Indian Classical Dance.
Paper and Workshop (LMA). Ciane Fernandes, Brazil/Germany, and Rajyashree Ramesh, India/Germany.
 abstract

Traditional Dance

Applying Labanotation on Greek Folk Dance: the case of the dances of the Greek Ionian island of Lefkada.
Paper (Notation). Maria I. Koutsouba, Greece.
 abstract

Analysis of Movement and Kinetography Laban for Students in Ethnomusicology.
Paper (Notation). Elena Bertuzzi, Italy/France
 abstract

Three Folk Dances from Romania.
Workshop : Reading Session (Notation). Andrea Treu-Kaulbarsch, Germany.
 abstract

Teaching Notation / Teaching with notation

Labanotation and Technique: Bridging the Gap to Build Articulate Dancers.
Workshop (Notation). Julie Brodie, USA.
 abstract

Cognitive Processes in Reading Labanotation: Do skilled readers automatically transform notation into representations of body posture?
Paper (Notation). Corinne Jola, Switzerland, and Patrick Haggard, UK.
 abstract

Using LabanLab in the Classroom.
Paper (Notation). Sheila Marion and Rachel Boggia, USA.

Teaching Methodologies: Utilizing reading literacy strategies to cultivate dance literacy. Workshop (Motif Notation). Tina Curran, USA.
 abstract

Mapping Motif.
Report (Motif Notation). Ilene Fox and Tina Curran, USA.
 abstract

Movement Training and Performance Enhancement Utilizing Laban Movement Analysis and Bartenieff Fundamentals.
Workshop (LMA). Bala Sarasvati, USA.
 abstract

Visualizing the A Scale: A visual supplement to teaching Choreutics.
Paper (Choreutics). Leslie Bishko, Canada.
 abstract

Cultural Areas

An Overview of a Creative Dance Course through a Multimedia CD-Rom.
Paper (Notation/Motif Notation) Billie Lepczyk, USA.
 abstract

Exploring the Use of Laban with Orphans in Uganda, Africa.
Paper (LMA). Begoña Caparros, Spain/USA.
 abstract

A Meeting of Minds: Adapting Laban’s movement themes to dance writing projects.
Paper (Laban concepts for educational dance). Candace Feck, USA.
 abstract

Laban-Bartenieff Movement Analysis as a Tool for Teaching Dance, Performance Skills, and Wellness to Adolescent Girls.
Paper (LMA). Deborah Hull, USA.
 abstract

Laban Movement Analysis in the Area of Cultural Studies. Teaching & adapting folk dance for seniors with various chronic conditions.
Paper (LMA). Barbara Kennedy, Canada.
 abstract

Surviving Assembly Line Work using Laban Bartenieff Movement Analysis.
Workshop (LMA). Teresa Heiland, USA.
 abstract

LMA as a Tool for Developing Audio Description. Making the Arts Accessible to People Who are Blind
Paper (LMA). Esther Geiger, USA.
 abstract

Acting

The Silent Wisdom: Teaching LMA for Actors.
Paper (LMA). Gabriela Gonzalez, Argentina/UK
 abstract

Scale Monologues: illustrating the application of Laban’s Space/Harmony theories to the acting process.
Paper (Choreutics). Jennifer Mizenko, USA.
 abstract

Laban Movement Analysis applied to Dramatic Movement.
Paper and Workshop (Notation and LMA). Jorge Gayon, Mexico/France, and Greta Maes, Belgium/France.
 abstract

The Body and its Analysis

“The Theorized Body” and “the Experienced Body” in Dance Research: Exploration through the lens of Patterns of Total Body Connectivity.
Paper (LMA). Mary Hayne, USA.

Relationship between Movement and Personality.
Paper (Laban analysis). Dianne Dulicai, USA.
 abstract

The Role of Notation on Body Construction.
Paper (Notation/LMA). Angela Loureiro de Souza, Brazil/France, and Jacqueline Challet-Haas, France.
 abstract

Media and Technology

Notation on Film, Notation for Film.
Paper (Notation). Janos Fugedi, Hungary.
 abstract

Choreocinema.
Paper (LMA). André Austvoll, Norway.
 abstract

Using the Laban Dancer to Visualize Notation Scores: Beta-testing.
Paper. Ilene Fox, USA, and Rhonda Ryman, Canada.
 abstract

Laban Motif of Algorithms for Automatic Generation of Dance Sequences in "Web3D Dance Composer".
Paper. Bin Umino, Japan, Jeffrey Scott Longstaff, UK, Asako Soga, Japan.
 abstract

The Representation of Movement in Notation Systems and its Transformation in Digital Processing.
Paper. Henner Drewes, Germany.
 abstract

Computer Interpretation of Labanotation within Graphical Dance Notation Scores.
Paper. Matthew Gough, UK.
 abstract

The Possibility of Using 3D Computer Animation as a Complimentary Tool to Dance Documentation.
Paper. Johan Stjernholm, UK.
 abstract

Archive and History

Rudolf Laban’s Notation Workbook: an historical survey of dance script methods from Choreographie (1926).
Paper. Jeffrey Scott Longstaff, UK.
 abstract

Current issues in archiving and transmitting the dance heritage in the 21st Century.
Paper. Valerie Preston-Dunlop, UK.
 abstract

Laban Archives. Overview of Several Collections.
Seminar. Coordinated by Marion Bastien, France, and Chris Jones, UK.
 abstract

TECHNICAL SESSIONS

Note: The technical sessions on Kinetography Laban/Labanotation will be restricted to members with an intermediate/advanced level in notation, and current students in notation.
For those attendees not involved in Kinetography Laban/Labanotation, there will be concurrent sessions (workshops or presentations related to LMA).

Interpreting Timing Conventions in Labanotation.
Paper. Rhonda Ryman, Canada, and Ilene Fox, USA

Ad Lib and Freedom of Interpretation.
Paper. Karin Hermes, Germany/Switzerland

A Proposal for New Symbols for the Head and its Parts.
Paper. Carl Wolz (circulated for information but will not be presented).

Upper Body Movement Analysis.
Workshop. Noelle Simonet, France

The Process of Training Notators.
Panel. Organized and moderated by Sheila Marion.