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| 25th Biennial Conference of ICKL | |
| Escuela
Nacional de Danza Clásica y Contemporánea, Mexico July 29 (Arrival Day) - August 5 (Departure Day) 2007 |
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SESSIONS Paper To think in movement terms. A golden master key DELGADO, Emma Cecilia - Mexico This papers exposes how Movement Thought takes stage performers’ work deeper than the traditional collaboration between dance and theater disciplines, even erasing the barriers between them. Although behaviour understanding shapes into separated styles of expression called Dance or Theater, both are basically moving experiences that become a specific language on stage. Through some stage-managing samples is possible to see the achivements on applying LMA as an understanding medium to encourage creativity process and problem solving. Excerpts from El embrujado by Valle Inclán, Oedipus Rex by Stravinsky, Bacchantes, El lector por horas by Sanchis Sinisterra, shows the swing between function-expression due to main Laban concepts as Spatial tension extended to territorialism conflicts or Bartenieff Basic six and Principles solving the specific body need that supports and will clear required communication. Emma Cecilia Delgado, dancer formed at INBA, is a CMA and recently certified in LOD delivery. She has ample performance experience in contemporary ballet, modern dance and dance- theater pieces as well as drama and theater plays. She teaches at the National Theater Art School of the National Fine Arts Institute (INBA) promoting LMA based movement education to acting and scenography students. The results have been presented at some conferences of IberoAmerican Theater Schools of Higher Education. She is also concern in somatic based psycotherapy, trained in Jack Painter´s Postural Integration, Ron Kurtz Hakomi Method and Matrix Works.
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