Below are listed sessions to be held at the 2011 conference.
List subject to change. Updated July 26, 2011
TECHNICAL SESSIONS
Workshop
Gábor Misi (Hungary)
A study of the rhythm of dance ‘legenyes’ and timing conventions through reading of a Transylvanian male solo dance.
Reading for the session
(PDF file to download)
Paper
Gábor Misi (Hungary)
Interpretations of the placement of the feet
(PDF file to download)
Paper
János Fügedi (Hungary)
Dancers’ perceptions of movement rhythm and its potential influence on how we notate rhythm and timing.
SESSIONS
Paper
Naoko Abe (France/Japan)
Contribution of the Kinetography Laban to human movement research in sociology
Paper
János Balogh (Hungary)
Ki(d)netography: A new approach to children’s dance education with Laban-kinetography
Paper
Júlia Speck Benkéné (Hungary)
The Use of Labanotation Symbols in Elementary Art Education
Workshop
Johan Borghäll (Denmark)
Investigations in the communicative kinaesthetic melody
Paper
Raphael Cottin (France)
Thoughts on the Shape realm and its symbols
Paper
Tina Curran (USA)
Developing a Staging Pedagogy
Paper
A. Dania, V. Tyrovola, M. Koutsouba (Greece)
Proposal for a new method for teaching dance skills
Paper
Varvara Dokshina, Svetlana Potemkina (Russia)
Le Sacre de Printemps as Nijinsky’s anticipation: the new method of analyzing the famous ballet text
Paper
Dr. Henner Drewes (Germany), Tirza Sapir (Israel)
Teaching Movement Composition with Kinetography Laban
Paper
János Fügedi (Hungary)
LabanGraph Pro 1.0 – An(other) Editor for Labanotation
Paper
János Fügedi, László Bernáth (Hungary)
Dancers’ Perception of Movement Rhythm
Paper and Workshop
Jorge Gayón (France/Mexico)
Laban's Active Movement Analysis: Applied Qualitative Movement Analysis and Effort Training
Paper
Rosemarie Gerhard (UK)
Notation as a Research Tool
Presentation and Workshop
Karin Hermes (Switzerland)
Choreographing in a hermeneutic process
Workshop
Dr. Ann Hutchinson Guest (UK/USA)
Is it a Lowering or a Flexing Action?
Paper
Miriam Huberman (Mexico), Jorge Gayón (France/Mexico)
Considerations on the Choreological Teaching Learning Process
Workshop
Toni Intravaia (USA)
Notating Animal Movements
Paper
Jean Johnson-Jones (UK)
Nama Marks and Etchings: An Analysis and Interpretation of the Nama Stap Dance, a dance of the Nama People of South Africa.
Paper
Jean Johnson-Jones (UK)
The Labananalysis of African Peoples’ Dances.
Paper
Vesna Karin (Serbia)
The Dinaric polka: Labanotation as a tool for comparative analysis of dance and dance music
Paper
Chommanad Kijkhun (Thailand)
The Creation of Thai Dance Notation
Workshop
Henrik Kovács (Hungary)
Labanolego – A creativ method for teaching Labanotation
Paper
Julia Lada (Hungary)
Notated Schedule for Dance Classes in Primary Art Education
Paper
Billie Lepczyk (USA)
Student Voices: Floorplans Integrated into a University Non-Major Dance Course
Paper
Peter Levai (Hungary)
Improving Hungarian Folk Dance Education Methodology: How Labanotation Helps the Teaching and Learning process
Paper
Paloma Macías Guzmán (Mexico)
Oscar Tarrriba and his educational legacy
Workshop
Teresa Pee (Singapore)
The use of motif/Laban symbols as teaching elements of dance/movement for arts education
Paper
Mara Penrose (USA) Re-What? Investigating A 1930’s Movement Choir Via Notation Score.
Paper
Ilse Peralta (France/Mexico)
Balinese Dance Notation
Paper
Selena Rakočević (Serbia)
Interweaving dance and music structures
Paper
Leo Renneke, Henner Drewes (Germany)
Visualizing (the Derra de Moroda) Dance Archives
Panel
Shelly Saint-Smith, Rosemarie Gerhard, Kendra Johnson, Libby Costello (UK), Victoria Watts (UK/USA)
It’s Elementary Dear Rudolf: Notation and Dance Teacher Education in the UK
Paper
Haruko Sako, Reiko Morita (Japan), Valerie Farrant (UK)
History of LOD in Japan
Paper
Melina Scialom (Brazil/UK)
A genealogical overview of Rudolf Laban’s Legacy in Brazil
Paper
Vesna Bajić Stojiljković (Serbia/Slovenia)
Application of Kinetography Laban/Labanotation to the Serbian Choreographed Dance Tradition
Workshop
Natalie Teichmann (USA)
LOD: A Creative Tool for Investigation
Paper
Olivera Vasić, Zdravko Ranisavljević (Serbia)
The Specificities of Labanotation of Typical Motifs of Serbian Traditional Dances
Paper
Victoria Watts (UK/USA)
Archives of Embodiment – a comparative analysis of notation scores of Serenade (Balanchine, 1934)
Paper
Charlotte Wile (USA)
Indicating Altitudes in Motif Notation
Paper
Valarie Williams (USA)
Visionary Women Leaders: A Look at the Intersection of Labanotation and the Lives of Ann Hutchinson Guest, Lucy Venable, and Odette Blum
Paper
Adriana Zenaide Vieira de Melo (Brazil) Laban Alphabetizing Little Luís.
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