27th Biennial Conference of ICKL
 

Institute for Musicology, Budapest, Hungary
JULY 31 - AUGUST 7, 2011

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Below are listed sessions to be held at the 2011 conference.

List subject to change. Updated July 26, 2011

TECHNICAL SESSIONS

Workshop
Gábor Misi (Hungary)
A study of the rhythm of dance ‘legenyes’ and timing conventions through reading of a Transylvanian male solo dance.
Reading for the session
(PDF file to download)

Paper
Gábor Misi (Hungary)
Interpretations of the placement of the feet
(PDF file to download)

Paper
János Fügedi (Hungary)
Dancers’ perceptions of movement rhythm and its potential influence on how we notate rhythm and timing.

SESSIONS

Paper
Naoko Abe (France/Japan)
Contribution of the Kinetography Laban to human movement research in sociology

Paper
János Balogh (Hungary)
Ki(d)netography: A new approach to children’s dance education with Laban-kinetography

Paper
Júlia Speck Benkéné (Hungary)
The Use of Labanotation Symbols in Elementary Art Education

Workshop
Johan Borghäll (Denmark)
Investigations in the communicative kinaesthetic melody

Paper
Raphael Cottin (France)
Thoughts on the Shape realm and its symbols

Paper
Tina Curran (USA)
Developing a Staging Pedagogy

Paper
A.  Dania, V. Tyrovola, M. Koutsouba (Greece)
Proposal for a new method for teaching dance skills

Paper
Varvara Dokshina, Svetlana Potemkina (Russia)
Le Sacre de Printemps as Nijinsky’s anticipation: the new method of analyzing the famous ballet text

Paper
Dr. Henner Drewes (Germany), Tirza Sapir (Israel)
Teaching Movement Composition with Kinetography Laban

Paper
János Fügedi (Hungary)
LabanGraph Pro 1.0 – An(other) Editor for Labanotation

Paper
János Fügedi, László Bernáth (Hungary)
Dancers’ Perception of Movement Rhythm

Paper and Workshop
Jorge Gayón (France/Mexico)
Laban's Active Movement Analysis: Applied Qualitative Movement Analysis and Effort Training 

Paper
Rosemarie Gerhard (UK)
Notation as a Research Tool

Presentation and Workshop
Karin Hermes (Switzerland)
Choreographing in a hermeneutic process

Workshop
Dr. Ann Hutchinson Guest (UK/USA)
Is it a Lowering or a Flexing Action?

Paper
Miriam Huberman (Mexico), Jorge Gayón (France/Mexico)
Considerations on the Choreological Teaching Learning Process

Workshop
Toni Intravaia (USA)
Notating Animal Movements

Paper
Jean Johnson-Jones (UK)
Nama Marks and Etchings:  An Analysis and Interpretation of the Nama Stap Dance, a dance of the Nama People of South Africa.

Paper
Jean Johnson-Jones (UK)
The Labananalysis of African Peoples’ Dances.

Paper
Vesna Karin (Serbia)
The Dinaric polka: Labanotation as a tool for comparative analysis of dance and dance music

Paper
Chommanad Kijkhun (Thailand)
The Creation of Thai Dance Notation

Workshop
Henrik Kovács (Hungary)
Labanolego – A creativ method for teaching Labanotation

Paper
Julia Lada (Hungary)
Notated Schedule for Dance Classes in Primary Art Education

Paper
Billie Lepczyk (USA)
Student Voices: Floorplans Integrated into a University Non-Major Dance Course

Paper
Peter Levai (Hungary)
Improving Hungarian Folk Dance Education Methodology: How Labanotation Helps the Teaching and Learning process

Paper
Paloma Macías Guzmán (Mexico)
Oscar Tarrriba and his educational legacy

Workshop
Teresa Pee (Singapore)
The use of motif/Laban symbols as teaching elements of dance/movement for arts education

Paper
Mara Penrose (USA)
Re-What? Investigating A 1930’s Movement Choir Via Notation Score.

Paper
Ilse Peralta (France/Mexico)
Balinese Dance Notation

Paper
Selena Rakočević (Serbia)
Interweaving dance and music structures

Paper
Leo Renneke, Henner Drewes (Germany)
Visualizing (the Derra de Moroda) Dance Archives

Panel
Shelly Saint-Smith, Rosemarie Gerhard, Kendra Johnson, Libby Costello (UK), Victoria Watts (UK/USA)
It’s Elementary Dear Rudolf: Notation and Dance Teacher Education in the UK

Paper
Haruko Sako, Reiko Morita (Japan), Valerie Farrant (UK)
History of LOD  in Japan

Paper
Melina Scialom (Brazil/UK)
A genealogical overview of Rudolf Laban’s Legacy in Brazil

Paper
Vesna Bajić Stojiljković (Serbia/Slovenia)
Application of Kinetography Laban/Labanotation to the Serbian Choreographed Dance Tradition

Workshop
Natalie Teichmann (USA)
LOD: A Creative Tool for Investigation

Paper
Olivera Vasić, Zdravko Ranisavljević (Serbia)
The Specificities of Labanotation of Typical Motifs of Serbian Traditional Dances

Paper
Victoria Watts (UK/USA)
Archives of Embodiment – a comparative analysis of notation scores of Serenade (Balanchine, 1934)

Paper
Charlotte Wile (USA)
Indicating Altitudes in Motif Notation

Paper
Valarie Williams (USA)
Visionary Women Leaders: A Look at the Intersection of Labanotation and the Lives of Ann Hutchinson Guest, Lucy Venable, and Odette Blum

Paper
Adriana Zenaide Vieira de Melo (Brazil)
Laban Alphabetizing Little Luís.



Presenters bios
(PDF file to download)

Tentative schedule (daily)
(PDF file to download)

Tentative schedule (chart)
(PDF file to download)

Technical paper :
Gábor Misi - Interpretations of the placement of the feet
(PDF file to download)

Technical session
Reading for the session
(PDF file to download)

Papers
Raphaël Cottin - Reflections on the Shape realm of Laban Movement Analysis and how symbols are used to represent it - English version
(PDF file to download)
Raphaël Cottin - Réflexions sur le domaine de la Forme en Laban Movement Analysis et sur sa symbolisation - version française
(PDF file to download)